Chromapost Sessions at Mikser House

Why That Color?
Chromapost sessions at Mikser House.
23 August - 3 September, Belgrade

3 slide projections
2 lectures
1 presentation
1 poster
1 collaborative artwork on the spot

Act I, Friday, 23 August
Influences on color perception: culture, commerce, visual communication and memories.

Act II, Tuesday, 27 August
Influences on color perception: color theory and art history.

Act III, Friday, 30 August
Color as emotion. Review of the entire Chromapost project.

Act IV, Tuesday, 3 September
Real-time creation of a participatory artwork on the spot. All the visitors will have a chance to incorporate their own emotions into a collaborative work of art.

During those two weeks three different slide shows about Chromapost were on view in Mikser House. Visitors could also get signed copies of ‘Chromapost 4YRS’ poster.

More info at www.facebook.com/chromapost

"Backup" promotion

Promotion of the book by Serbian artist Mrdjan Bajic, "Backup" (AD&D: A.M).
The promotion was held in the Cultural Centre of Belgrade and included speakers like Lidija Merenik and Biljana Tomic, art historians.
"Backup" is a 200 pages journey through the work of Mrdjan Bajic, including sketches, unfinished projects and process of making.

news (in Serbian)>>>

related post > BACKUP at the Venice Biennial

"Illegal chair", Belgrade

From the "Illegal chair" project photo session by Bogomir Doringer. More details here. See the previous post on this topic here (Thursday, April 13, 2006, Mobile Studios - Belgrade.)



enlarged views 1 2 3

Mobile Studios - Belgrade

Public discussion about situation of contemporary art in Serbia considering media reception. Participants: Jelena Djurovic-Mutaovic, Vladimir Tupanjac and Aleksandar Macasev (moderator). The discussion was a part of Bogomir Doringer's artwork called "Stolen Chair". The whole event is a part of Mobile Studios project in Belgrade. It is about displaying art in cubicles in a public space.
www.mobile-studios.org

Conclusion of the discussion was: contemporary art should use well elaborated media/spectacle channels to gain visibility. There is no low or high culture and every cultural product is on the free market. It is up to an artist to play the media game or not.





Some posts on the topic (in Serbian) on Jelena Dj-M's blog >>>